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Thus I will have at least a little hope left. However, one thing was missing, it could not have been integrated: As if you didn’t know that I am collecting your letters in order to sell them later and thus assure a living for my old days! Furthermore – that has never happened before to the author scrupulously correcting even the fifth edition of his own works – he wrote to Potapenko: He wanted to create a life-like space see: Chekhov, who has for a long time fled from Saint Petersburg, and could read the enthusiastic and therefore far too doubtful reassurance in the letters of his friends, was fully aware of the situation.
Stanislavsky was not proclaiming the ideas of a new theatre creation at the time of “writing” the Seagull, he was not predicting the reforms yet, but he made it, wrote it, directed it and also played it.
Not the director, but the actor was unsatisfying. Et puis soudain, venu de loin comme un grondement tellurique tchemov monte de la tdhekov, c’est l’explosion d’applaudissements. Note moutete Suvorin’s diary, 11th February, It seems that he has misunderstood the play. Nobody understood the play except Comissarjevskaya, one of the most prominent personalities of Russian theatrical art, who played Nina, and received the text four days!
Comedy, three female and six male roles, four acts, a landscape a panorama of the lakemany discussions about literature, little action, five pounds of love. On the evening of 17th Octoberbefore the premiere, the chaos reached the summit. Still, what he had to bear at 17th October and the days after was incomparable to everything before. Stanislavsky was not a good Trigorin. I will not allow myself any indecency, if only because I’m afraid to ascertain about happiness never coming.
La Mouette de Tchekhov
Chekhov wanted to take the role of Nina from Roxanova. He wanted to liquidate the empty stage, the proscenium.
It turned to be a short novel. There was only one critic who was astonished by this attitude: Nuits blanches et crises de nerfs. At that moment Stanislavsky neither has liked, nor has understood the play.
What kind of person was Trigorin, then?
Here everybody says that you have borrowed the Seagull from my life, and they also say that you’re upbraiding someone else here, too! His play entitled Seagull gives first of all the impression of a writer’s awkwardness, of the literary inertia of a frog blowing up itself.
The actress has left the theatre soon. There were only a few rehearsals before the performance.
I started forte and finished pianissimo, breaking all the rules of theatre art. Chekhov has condensed many autobiographical elements in this character, too, but the critics didn’t notice it at the beginning. Tous le savent, acteurs, public et presse. The audience attracted to theatre by the bonus play of Saint Petersburg’s favourite comedienne was waiting patiently at the beginning.
La Mouette de Tchekhov – Avignon 2012
Stanislavsky played the role of Trigorin for seven years; he transformed the role in His diary has preserved only a few sentences with the date of 17th October: Jamais le public de Moscou n’avait vu pareil spectacle. It states that “The heart-broken Nina stands lonely and she tcchekov proudly facing all the other characters, these egoistic, petty-minded people. Mizinova to Chekhov, Pochrovskoye, 1st November It was not successful.